Installation (Installation)

Stones and Elephants by Chia-Wei Hsu derives from the Malay literary classic The Hikayat Abdullah . The author Abdullah bin Abdul Kadir, who once served as the secretary of Major General William Farquhar, chronicled his life in Malaysia and published his writings in 1849. Hsu’s video installation excerpts two chap- ters from this classic.

Film & Video (Film & Video)

Marshal Tie Jia (Turtle Island) explores the history of a tiny island off of the coast of Matsu in the Taiwan Strait that has been instrumental in the geopolitical relationships between China, Taiwan, and Japan. The Chinese frog deity, Marshal Tie Jia, is now exiled to the island where he is still revered by the Taiwanese people. The installation includes documentation of the artist’s correspondence with the frog deity placed upon an altar, while the video explores both Marshal’s birthplace in China and his current home on Turtle Island.

Film & Video (Film & Video)

The final work in the Marshal Tie Jia series (of which Turtle Island is in the KADIST collection), Spirit Writing features the Marshal in conversation with Chia-Wei Hsu, by way of a ritual involving the Marshal’s divination chair. Marshal Tie Jia is a frog god, who was born in a pond in Jiangxi, China, before fleeing to Matsu Island off the coast of Taiwan during the Cultural Revolution after his temple was destroyed. Spirit Writing attempts to reconstruct the original temple using 3D modeling software, operated in real time as Hsu asks the Marshal questions, receiving answers through a divination ritual in which the chair is swung violently around by his acolytes.

Film & Video (Film & Video)

The word Takasago alludes to several things at once. Takasago is the name of a multi-billion dollar Japanese corporation, previously situated in Taiwan pre-World War II. It is also a famous Japanese Noh play, the oldest extant form of performance in Japan, combining dance, costuming/masks, acting, and operatic chants.

Photography (Photography)

In Hsu’s work, Colonia China (2014), the artist documents a Chinese cemetery of Costa Rica’s Limón Province, along the country’s Caribbean coast. Serving as the final resting place for Chinese migrants who came to Coast Rica during the late nineteenth century as indentured laborers working to construct the Transatlantic Railroad, the Colonia China speaks to a long but divided history. Hsu’s photographs of the burial ground also echo her interest in typography, with blocky black lettering and painted Chinese characters marking the cemetery as a space belonging to two different worlds.

Installation (Installation)

30 Proposals of Flag explores the relationships between signs, meanings, aesthetics, and nations. The artwork consists of 30 flags layered together and hanging from the ceiling. Each flag is illustrated with Jao’s rendition of a possible coat of arms derived from Taiwan’s economic and political history.

Film & Video (Film & Video)

The video Music While We Work (2011) is the first part/work of a long-term research project started in 2010. The project revolves around and beyond the history of sugar in the small town Huwei in central Taiwan (the artist’s hometown). The town was nicknamed as the “Capital of Sugar” during the Japanese colonial ruling (1895-1945) of Taiwan.